The Philosophy Of Tv Noir

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The Philosophy of TV Noir
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Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many émigré filmmakers in 1940s and 1950s America, emphasizing crime, a
The Philosophy of Film Noir
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Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Fran
Fatalism in American Film Noir
Language: en
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Authors: Robert B. Pippin
Categories: Performing Arts
Type: BOOK - Published: 2012 - Publisher: University of Virginia Press

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This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the ac
The Philosophy of Film Noir
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From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of pa
The Philosophy of Neo-Noir
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Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and lig